Private & Real Assets
Royalties
A royalty pays you because somebody used something you own. A song was streamed, a book was sold, a patented part was shipped, a barrel came out of the ground under land whose minerals are yours. Two very different worlds share the word, and this section keeps them apart on purpose.
Data as of Aug 25, 2026.
The counts above are of the listed vehicles in our own universe. Where a median appears it is a trailing twelve-month distribution yield — the cash actually paid over the last year divided by the current price — and not the forward yields quoted on the dividend and BDC screens elsewhere on this site. The date is the last time our quote pipeline priced these tickers.
Think of a royalty as rent on something that is not a building. You own a right — to a song, an invention, a name, or the minerals under a field — and you are paid a slice every time someone makes use of it. You do no work once the deal is signed, which is the appeal. The catch is that nobody can tell you how much use there will be next year.
Entertainment and intellectual property
A payment for the use of something a person created — a song, a book, a film, an invention, a mark, a photograph, a piece of software. The right lasts for a legal term, and what erodes it is attention.
Minerals, oil and gas
A payment for a share of what is produced from land you own an interest in. The right can last forever; the production cannot. What erodes it is physics — every well declines from the day it is drilled.
Entertainment and intellectual property
A payment for the use of something a person created — a song, a book, a film, an invention, a mark, a photograph, a piece of software. The right lasts for a legal term, and what erodes it is attention.
Music royalties
Four separate income streams from two separate copyrights, each collected by a different organisation.
Open →Book royalties
An advance is a loan against future royalties, and 'net' decides whether the royalty is worth what it looks like.
Open →Film and TV royalties
Residuals are contractual and reliable. Backend participation is defined by the studio, and the definition is the deal.
Open →Patent licensing
A running royalty on defined net sales, for a right with a fixed expiry date and a live validity risk.
Open →Trademark licensing
Payment for the use of a mark — with a legal obligation to police quality, or the mark itself is at risk.
Open →Software licensing
Per seat, per core, per device, per call, or a share of a store's revenue — with a true-up audit at the end of it.
Open →Photography and stock licensing
A share of each download, on terms the platform sets and can change.
Open →Franchise royalties
A percentage of a franchisee's gross sales — not of their profit — for the right to run the system.
Open →Brand licensing
Renting a name into categories the owner does not manufacture in, against guaranteed minimums.
Open →Domain leasing
Rent for a name, usually with a purchase option — and control that lives in a registrar account.
Open →Pharmaceutical royalties
A share of a medicine's net sales until the royalty term ends — then a cliff, not a decline.
Open →Minerals, oil and gas
A payment for a share of what is produced from land you own an interest in. The right can last forever; the production cannot. What erodes it is physics — every well declines from the day it is drilled.
Mineral rights
Ownership of what is under the land — the right to lease it, and to be paid a share of anything produced.
Open →Oil and gas royalty interests
Royalty, overriding royalty, non-participating royalty, net profits and working interest — five different animals.
Open →Listed proxies
The only version of this exposure that trades continuously: royalty trusts, minerals companies and partnerships, and pharmaceutical royalty companies.
These are the versions you can buy in a brokerage account. Read the structure column first, because it changes the meaning of every number beside it. What would mislead, and this is the one to carry away: the yield here is a trailing yield, which divides what was paid over the last twelve months by today's price. A royalty trust owns a finite pool it is forbidden to add to, so part of each payment was the pool running down. Its trailing yield therefore describes a year that the structure is designed not to repeat — the payments fall as the pool empties, and they can end at nothing.
Buying a royalty directly means buying a contract or a conveyance, one at a time, with no bid behind it. The listed vehicles below hold royalty interests inside a wrapper that trades on an exchange. That solves liquidity and introduces a structure — and with these vehicles the structure is the whole story.
A royalty trust is not a company. It is a fixed pool of interests in specific wells, dropped into a trust that is forbidden to buy anything new. The trustee collects what those wells produce, pays the trust's costs, and passes the rest through. Every distribution therefore contains a return of the buyer's own capital as the reserves run down, and the trust ends when the pool is exhausted or falls below a wind-up threshold written into the trust agreement. This is why a trailing yield on a trust overstates the future: the numerator is the last twelve months of a stream that is, by design, finite and declining. A company that owns minerals can buy more acreage and replace what depletes. A trust cannot.
- Royalty trust
- A closed pool of interests in named properties. No new acquisitions, no management to speak of, a trustee rather than a board, and a termination provision. Distributions track production and price with no smoothing, so they swing hard month to month and trend to zero over the life of the assets.
- Minerals company or partnership
- An operating business whose business is owning minerals and royalties. It can and does acquire more, it carries overhead and sometimes debt, and it can hedge. Depletion still applies to each individual asset; the entity survives it only by buying replacements, which costs money and can be done well or badly.
- Net profits interest
- Some listed trusts hold a net profits interest rather than a pure royalty. A pure royalty is free of operating cost; a net profits interest is paid out of profit after defined costs, and where those costs escalate under the conveyance formula the payment can fall to zero while the wells are still producing. The conveyance document, not the ticker, decides which you own.
- Pharmaceutical royalty company
- Buys royalty streams on approved and development-stage medicines. The erosion is legal rather than physical: each stream ends at the expiry of the royalty term, and the portfolio survives only by buying new streams.
The table below is every listed vehicle in our universe carrying the royalty tag, one row each, in alphabetical ticker order — deliberately not ranked. Structure is our own classification of the wrapper, which is the column that changes how everything to its right should be read; price comes from the daily quote pipeline, as do the market capitalisation, payment history and last ex-date the expert view adds; the trailing figures are the distributions actually paid over the last twelve months, in dollars and as a percentage of today's price. The caveat: for a trust holding a depleting pool, that trailing percentage is a measurement of a year that has already happened, and the structure is designed so it cannot be repeated indefinitely.
| Ticker | Name | StructureThe wrapper. A finite trust and an operating company behave very differently. | Price | Trailing 12m yieldThe cash paid over the last twelve months, over today's price. A year already gone, not a rate for the year ahead. | Trailing 12m paidWhat one share actually paid over those twelve months, in dollars. | Pays | Market cap | Yrs paying | Last ex-date |
|---|---|---|---|---|---|---|---|---|---|
| BSM | Black Stone Minerals, L.P. | Mineral and royalty partnership | $14.89 | 8.19% | $1.22 | Quarterly | $3.16B | 11.00 | Aug 06, 2026 |
| CRT | Cross Timbers Royalty Trust | Royalty trust | $10.61 | 5.29% | $0.56 | Monthly | $63.66M | 21.00 | Jul 31, 2026 |
| DMLP | Dorchester Minerals, L.P. | Mineral and royalty partnership | $28.93 | 11.04% | $3.19 | Quarterly | $1.40B | 23.00 | Aug 03, 2026 |
| KRP | Kimbell Royalty Partners, LP | Mineral and royalty partnership | $15.17 | 10.55% | $1.60 | Quarterly | $1.50B | 9.00 | Aug 17, 2026 |
| MARPS | Marine Petroleum Trust | Royalty trust | $4.90 | 6.43% | $0.32 | Quarterly | $9.80M | 41.00 | May 29, 2026 |
| MTR | Mesa Royalty Trust | Royalty trust | $2.65 | 5.65% | $0.15 | Monthly | $4.94M | 23.00 | May 29, 2026 |
| NRT | North European Oil Royalty Trust | Royalty trust | $8.56 | 11.80% | $1.01 | Quarterly | $78.67M | 39.00 | Aug 17, 2026 |
| PBT | Permian Basin Royalty Trust | Royalty trust | $34.61 | 1.09% | $0.38 | Monthly | $1.61B | 21.00 | Jul 31, 2026 |
| RPRX | Royalty Pharma plc | Pharmaceutical royalty company | $62.07 | 1.49% | $0.93 | Quarterly | $27.51B | 6.00 | Aug 14, 2026 |
| SBR | Sabine Royalty Trust | Royalty trust | $74.46 | 6.41% | $4.77 | Monthly | $1.09B | 21.00 | Aug 17, 2026 |
| SJT | San Juan Basin Royalty Trust | Royalty trust | $2.93 | — | — | Monthly | $136.56M | 24.00 | Apr 29, 2024 |
| TPL | Texas Pacific Land Corporation | Land and royalty company | $372.79 | 0.61% | $2.27 | Quarterly | $25.71B | 42.00 | Jun 01, 2026 |
| VNOM | Viper Energy, Inc. | Mineral and royalty company | $44.07 | 5.56% | $2.45 | — | $15.87B | 12.00 | Aug 13, 2026 |
| VOC | VOC Energy Trust | Royalty trust | $3.37 | 17.06% | $0.57 | Quarterly | $57.29M | 15.00 | Jul 30, 2026 |
Prices as of Aug 25, 2026.
Prices and distributions come from our database and update with the daily pipeline. “Trailing 12m yield” is the last twelve months of distributions over the current price; for a depleting pool it is backward-looking by construction. Structure labels are our own classification of the vehicle type and can change with a corporate action — the issuer's own filings are authoritative. We deliberately do not rank this table by our income score: a score built on trailing distributions would flatter exactly the vehicles whose payments are most likely to fall.
The boxes below exist to make the point above concrete. Put in what a holding paid over the last year, choose a rate at which the payments shrink, and the total comes back against what the same payment would have added up to had it stayed flat. One thing to watch: the decline rate is a number you typed, not a measured one, and the arithmetic assumes nothing else changes. It is a shape, not a forecast.
Illustration: what a decline rate does to a distribution
Your numbers, computed in your browser. This is an illustration of arithmetic, not a forecast, not a valuation, and not a statement about any security. It assumes a constant decline and no new drilling, no price change and no cost change — none of which any real asset offers.
An assumption you choose. Real decline is fitted to a well's own history.
Four figures come back. The total is the sum of every year's distribution once the decline you entered is applied; the final-year figure is what the last of those years pays. Beside them sits the same starting distribution repeated unchanged for the whole period, and the shortfall is the difference between the two totals. That difference is the part a trailing yield leaves out, and it grows with both the decline rate and the number of years.
The gap between the two totals is the part a trailing yield quietly assumes away. Run the same shape on the income calculator and the IRR calculator if you want to discount it.
Where these interests change hands
The visible venues. Most royalty interests never touch one of them.
A royalty bought directly is a contract, not a share. There is no ticker, no daily price and no standing buyer, so a sale means finding somebody willing to do the homework, which takes weeks or months. The venues below are where some of that meeting happens. The easy mistake: an asking price on a listing is what a seller wants, not evidence of what these interests fetch.
Royalty Exchange
Music and IP
- What trades there
- Music royalty streams above all — a songwriter's share, a publisher's share, master recording income, sometimes a whole small catalogue. Other IP streams (film, book, patent) appear from time to time.
- How the sale works
- Listed sale. Each offering is published with historical earnings statements attached, then sold by a timed online auction or as a fixed listing; larger catalogues are sometimes handled as a negotiated private sale off the public board.
- Typical buyer
- Individual investors and small funds buying an income stream outright, plus catalogue acquirers using it as deal flow.
SongVest
Music and IP
- What trades there
- Music royalties, sold both as whole streams and as fractional interests in a single song or a small group of songs.
- How the sale works
- Two routes. Fractional interests are offered to the public through a registered or exempt securities offering with its own disclosure document; whole-stream sales are negotiated between seller and buyer.
- Typical buyer
- Retail buyers and fans at the fractional end; catalogue investors at the whole-stream end.
EnergyNet
Minerals and energy
- What trades there
- Producing oil and gas properties, working interests, and mineral and royalty interests. It also runs online lease-sale auctions for government and institutional sellers.
- How the sale works
- Timed online auction with a reserve, plus sealed-bid and negotiated sales. Data rooms carry title runsheets, production history and, on larger packages, engineering.
- Typical buyer
- Operators adding acreage, mineral and royalty funds, family offices, and individual mineral owners consolidating around what they already hold.
US Mineral Exchange
Minerals and energy
- What trades there
- Mineral rights and royalty interests, listed on behalf of the owner.
- How the sale works
- Brokered marketing rather than an open outcry: the interest is packaged and shown to a network of buyers, offers are solicited, and the owner chooses. Closing runs through a deed and a division-order change with the operator.
- Typical buyer
- Mineral buyers and funds that hold to collect, rather than operators.
The Mineral Auction
Minerals and energy
- What trades there
- Mineral rights and royalty interests, mostly from individual and estate sellers.
- How the sale works
- Auction. The interest is catalogued with its production and title detail, marketed for a fixed window, then sold to the high bidder.
- Typical buyer
- Mineral funds and private buyers; sellers are frequently heirs settling an estate.
Sedo
Music and IP
- What trades there
- Domain names — outright sale, lease-to-own and parking.
- How the sale works
- Marketplace listing at a fixed price or make-offer, with brokered sales for larger names. Transfer and payment run through the platform's own escrow.
- Typical buyer
- Businesses buying the exact name they want, plus domain investors.
Afternic
Music and IP
- What trades there
- Domain names, sold and leased through a distribution network that surfaces the listing inside registrar search results.
- How the sale works
- Fixed-price 'buy it now' and offer/counter-offer, settled by the platform; instalment and lease-to-own plans hold the name in the platform's control until the last payment clears.
- Typical buyer
- End-user businesses, and investors buying inventory.
These are the visible venues. Most mineral and royalty interests never touch one. They move through a broker or a landman working a specific county, through an unsolicited offer letter mailed to an owner whose name appears in the county deed records, through an operator buying up the royalty under its own wells, and through probate when an estate is settled. County records are the real order book: ownership, leases, assignments and prior sale prices are filed at the courthouse where the land sits. Music is the same story one level up — the marketplaces are the retail end, and most catalogue value trades in privately negotiated deals brokered by specialist advisers. A price you see on a public venue is not a market quote for anything else.
These are listed because they are the venues that exist, not as suggestions, endorsements or recommendations. We have no commercial relationship with any of them and no link on this page is an affiliate link.
What diligence looks like, whatever the royalty
The same eight questions decide whether a royalty is worth what it appears to be.
- Read the instrument, not the pitch
- Every royalty is a contract or a conveyance. The lease, the licence, the assignment or the deed defines what is owed, on what base, after which deductions, for how long, and to whom it can be sold. A summary sheet prepared by the seller is not the instrument.
- Find the definition of the base
- Almost every dispute in royalties is a fight about the word 'net'. Net of what, computed by whom, evidenced how. Gross sales, net receipts, net profits and net revenue interest are four different numbers, and the difference between them is usually larger than the difference between two royalty rates.
- Get the payment history from the payer
- Statements produced by the party selling the interest are a starting point, not evidence. Ask for statements as issued by the collecting society, the publisher, the licensee or the operator, covering enough years to show a trend rather than a moment.
- Ask what caused the last spike
- One sync placement, one viral track, one new well, one launch year. A history dominated by a single event tells you about that event, not about the stream. Concentration by title, by track, by well or by licensee is the first thing to measure.
- Trace the chain of title
- Who owned it before, what they conveyed, and what they kept. Co-writers, heirs, prior assignments, unreleased liens, unrecorded deeds and reversion clauses all live in the chain. In minerals this is a county-courthouse exercise; in music and film it is a registration and contract exercise.
- Establish who can end it
- A lease terminates when production stops. An overriding royalty dies with the lease it was carved from. A publishing grant can be terminated by a US author or their heirs during a statutory window. A licence can be cancelled for breach. Ask what event ends the payment and who controls that event.
- Price the administration
- Between the user and the owner sit collecting societies, administrators, distributors, publishers, trustees and operators, each taking a fee and each introducing a lag. Model the money that arrives in the bank, not the money the licensee pays out.
- Confirm it is transferable at all
- Anti-assignment clauses, consent requirements, preferential rights to purchase and operator approval can all block a sale or force it through a counterparty who knows you have to sell. Illiquidity here is contractual, not just a matter of finding a buyer.
Costs, liquidity and tax
There is no management fee on a royalty, which is the wrong place to look for the costs. They sit in the chain of people between the person using the song, the patent or the well and the money reaching a bank account, and each one takes a cut and adds a delay. Where this misleads: a headline royalty rate. The rate is applied before that chain, and tax is usually taken before the payment is written as well.
Royalties carry no expense ratio and no management fee, and that is where the simplicity ends. The cost sits in the chain between the user and the bank account: collecting societies, administrators, publishers, distributors, trustees and operators each take a fee and each add a lag. On the minerals side, severance tax is withheld before the cheque is written and post-production costs may be deducted before that.
Liquidity is the harder constraint. A direct royalty interest is a one-off contract with no bid, no daily mark and, frequently, a consent requirement before it can be transferred at all. Selling means finding a buyer who will do the diligence, which takes weeks or months and happens at a price set by whoever shows up.
Royalty income is generally ordinary income in the United States. It does not receive the lower qualified-dividend rate, and it is taxed at the recipient's marginal rate. A holder who is not in the trade or business that produced the right normally reports royalties on Schedule E; payers commonly report them on Form 1099-MISC.
The self-employment question turns on activity, not on the label. A creator who is still in the business of creating — writing, recording, inventing, photographing — generally reports that income on Schedule C, where it is subject to self-employment tax. A person who inherited or bought the same stream and does nothing but bank the cheques is usually in Schedule E territory. The line is fact-specific and gets argued.
Minerals get a deduction nothing else in this section gets: depletion, which recognises that each barrel sold is a piece of the asset gone. Royalty owners generally compute both cost depletion and percentage depletion and take the larger. Percentage depletion for oil and gas is set by statute at 15% of gross income from the property for independent producers and royalty owners, subject to limitations including a net-income limit per property and a cap tied to total taxable income. Depletion reduces basis.
Selling the right is a different transaction from collecting it. A genuine sale of the underlying property can produce capital gain rather than ordinary income, and US tax law contains a specific provision (Internal Revenue Code section 1235) that can treat the transfer of all substantial rights in a patent by a qualifying holder as long-term capital gain regardless of holding period. Whether a given deal is a sale or a disguised advance against future royalties depends on what rights actually moved.
A buyer of an income stream is also buying a basis to recover. How that recovery works — amortisation, depletion, or nothing until sale — depends on what was purchased and how the purchase was structured, and it is one of the few parts of a royalty deal where professional advice pays for itself immediately.
State and local layers sit on top. Severance tax and ad valorem tax are withheld or billed against mineral royalties in producing states; foreign withholding applies to royalties collected abroad, at rates that depend on the treaty and on paperwork filed before payment rather than after.
Where to look
An auction marketplace where music and other intellectual-property royalty streams are sold, with historical payout statements published for each listing.
Listings disclose the payment history the sale price is being bid against
Visit Royalty Exchange ↗An online auction platform for oil and gas mineral rights, royalty interests and working interests, including some state and federal lease offerings.
A working interest carries operating costs and liability; a royalty interest does not
Visit EnergyNet ↗The US organisation designated to collect and distribute digital performance royalties for sound recordings to rights owners and performers.
Covers the recording, which is a separate right from the underlying composition
Visit SoundExchange ↗A performing rights organisation that licenses public performance of musical works and distributes the resulting royalties to songwriters and publishers.
Songwriters affiliate with one performing rights organisation at a time
Visit ASCAP ↗Listed for reference. A row without a Sponsored badge is a plain outbound link and we earn nothing from it.
Frequently asked
What is a royalty, exactly?
Why are music royalties and mineral royalties on the same page?
Why does a royalty trust's yield look so high?
Where do royalties actually trade?
How are royalties taxed in the US?
What is the depletion allowance?
How is a royalty interest valued?
Can an ordinary investor buy royalties?
Research only. Nothing on this page is investment, tax or legal advice, and no part of it recommends buying or selling any royalty interest, security or property. Figures in the table come from our database and may be delayed or incomplete; everything else is a description of how these instruments are structured. Verify anything that matters against the underlying documents and a professional who knows your situation.